|Author [First name / Last name]||Yasuji Murata|
|Japanese (Katakana)||ムラタ ヤスジ|
|Born||Jan 24, 1896|
|Died||Nov 22, 1966|
|Introduction||Born 1896, in Yokohama. Murata started out as a signboard artist for movie theaters, but after the Great Kanto Earthquake, he joined the Yokohama Cinema Shokai where he created as many as 50 animation titles. With the skills he cultivated, he propelled paper cutout animations to greater heights.|
Born on January 24, 1896 in Yokohama, Kanagawa, and died on November 22, 1966.
Murata enjoyed drawing from an early age and went to work at movie theaters as a signboard artist right after graduating from junior high school. After the Great Kanto Earthquake, he was employed at the Yokohama Cinema Shokai run by his old acquaintance Eisuke Saeki. Murata visited Sanae Yamamoto, who lived nearby and with whom Murata became acquainted as an art school student, to learn animation techniques, but in the end, studied on his own through trial and error. His debut film Monkey and the Crabs (猿蟹合戦, 1927) and subsequent works were produced using a paper cutout technique, which was so highly refined that audiences often mistook it for cel animation. At the Yokohama Cinema Shokai, he was placed in charge of creating the Athena Library Series (1925-39) together with Chuzo Aochi as script writer, and Yukikiyo Ueno as cinematographer. They released approximately 50 works. Murata left the company in 1937 and established the Murata Manga Seisakusho in Yokohama, however it was acquired and merged with Nihon Eigasha in 1941, where Murata stayed on as the arts section chief until the end of WW2. After the war, he joined the Nihon Manga Eigasha, established by Sanae Yamamoto, as managing director. In 1956, he once again set up an independent company called Murata Seisakusho where he mainly produced advertisements and promotional films.
Works on this site
Murata's world illuminated with serious style, comical actions and witty jokes
References (Japanese Only)
岡本昌雄「村田安司と漫画映画 第1回 昭和初期のアニメーション」『映画テレビ技術』1991年11月号、42-43頁。
岡本昌雄「村田安司と漫画映画 第2回 処女作の劇場公開まで」『映画テレビ技術』1991年12月号、60-61頁。
岡本昌雄「村田安司と漫画映画 第3回 「切り紙法」について」『映画テレビ技術』1992年1月号、66-67頁。
岡本昌雄「村田安司と漫画映画 第4回 漫画映画の撮影」『映画テレビ技術』1992年2月号、60-61頁。
岡本昌雄「村田安司と漫画映画 第5回 トーキー漫画時代」『映画テレビ技術』1992年3月号、56-58頁。
岡本昌雄「村田安司と漫画映画 第6回 線画タイトルの先駆者」『映画テレビ技術』1992年4月号、50-51頁。
岡本昌雄「村田安司と漫画映画 第7回 漫画家の裏おもて」『映画テレビ技術』1992年5月号、60-61頁。
岡本昌雄「村田安司と漫画映画 第8回 戦時中の村田安司」『映画テレビ技術』1992年6月号、120-121頁。
岡本昌雄「村田安司と漫画映画 第9回 戦後の村田安司」『映画テレビ技術』1992年7月号、54-56頁。
岡本昌雄「村田安司と漫画映画 (終) 村田安司・年譜／作品目録」『映画テレビ技術』1992年8月号、47-49頁。
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